Thank you to everyone who joined in at the opening reception of my show, “The Light Within”, at Brooklyn Workshop Gallery last Thursday, September 17. The paintings were beautifully echoed in the ceramic work by Amani Ansari. It was a great night. Special thanks to the amazing BWG team—Martine Bisagni, Amani Ansari and Iviva Olenick, […]
Author: deborahbarlow
Essential Unknowability
Ghostly: ‘Untitled’, 1977, is on show in Agnes Martin’s Tate Modern retrospective Photo: Agnes Martin / Artists Rights Society Some would say there has been enough written about Agnes Martin to last us for a while. Her show at the Tate Modern (up through October 11) has produced many reviews, plus two new books about […]
Art as a Well Planned Crime
One corner in my new show, “The Light Within”, at Brooklyn Workshop Gallery (September 5 – October 11.) The combination of metallic surfaces on the series to the right (“Silma 1-4”) and the chalky intensity of “Kannakam” on the gorgeously textured wall on the left pleases my eye. How to talk about the visual without […]
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Permeability
Somewhere between what is hidden and what is seen: A matchbook found at the bottom of a box of paints from my days on the Lower East Side in the 1970s. In Jane Hirshfield‘s slim but wisdom-packed book, Hiddenness, Uncertainty, Surprise: Three Generative Energies of Poetry, she includes a poem written in 1000 CE by […]
Bulldoggity
Up close and personal on a painting, seen from an angled view Bulldog behavior, getting a hold of something and holding on especially if you’re not sure exactly what it is—worrying it, wiggling it, maybe throwing it up in the air and chasing it, not letting it get away but not pinning it down either. […]
Brooklyn Show
Marae 2, 16 x 16″, mixed media on wood panel I am having a show of recent paintings at Brooklyn Workshop Gallery in Carroll Gardens during September and October. Curator Martine Bisagni has titled the show, “The Light Within,” choosing works where light appears to be emerging from within the painting rather than sourced externally. […]
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Playing From the Other Side of the Score
Skeepa, from a new series The New Yorker‘s Joan Acocella recently reviewed Playing Scared: A History and Memoir of Stage Fright by Sara Solovitch. Stagefright. Being a visual artist comes with plenty of baggage, but this isn’t one that is on my list of potential afflictions. Meanwhile this is a disabling condition that affects a […]
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Chase Away All Routine and Find the Singularity
Detail from a work in process: Learning how to know my own terrain Terry Theise‘s book, Reading Between the Wines (first introduced here), offers so many redolent parallels between winemaking and painting. And during a season when the land is in full expression, the analogies are particularly timely and apt. Consider this response from one […]
The Terroir-Driven Life
Mosel, the German valley most associated with Riesling wines (Photo: Friedrich Petersdorff) I’ve been laboring to write about (mostly) art making and creativity on this blog for almost 10 years. One of the overarching themes has been the search for language that comes in close, authentically, to the experiences I have when I am in […]
Sieve the World
Kana’an 3, from a new series Jane Hirshfield, poet and Buddhist, is my favorite guide to the overlapping territory shared by spirituality and creativity. In her books Nine Gates and most recently, Ten Windows, she moves back and forth between the artistic process and the interior life of the soul. In Ten Windows she writes, […]