Unchained

Many of you have undoubtedly heard about the Chain Letter Show. The idea was a robust one—using the existing network of artists, create an international, artist-curated, pop up event at several locations around the world all at the same time. Ten artists were asked, and then they asked ten more, who then asked ten more. […]

Assessing the State of Visual Culture

The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art by Don Thompson, published in 2008, is one of the most evenhanded descriptions of the flamboyant, unpredictable, arcane—and at times, utterly exasperating—world of contemporary art. Thompson teaches marketing and economics and, refreshingly, doesn’t write from the point of view of someone who has been […]

Blank is Blank

Jerry Saltz in front of a piece by Takashi Murakami The last few months have been a period of burrowing down deep for me, of incubation and isolation. But now my show is up in Provincetown and a new body of work has emerged, I am back up on the surface again and getting re-acclimatized. […]

Raccoons and Uncertainty

Markings on wood, from the African art collection at the Brooklyn Museum: Beautifully ambiguous Poems, poets and poetry provide a parallel universe that sometimes helps make a little more sense of my own huddled world of paintings, painters and art. A good example is this excerpt from an essay by Joel Brouwer that appeared on […]

The Art Healer

Melamid in front of his “Art Healing Ministry” An article from the New York Times provocatively titled Can a Picasso Cure You?, went viral as soon as it was published. References to it were appearing repeatedly on Facebook and Twitter all day. First of all, the title is just too delicious to not stop and […]