Color Ecstacist

Installation view of “Anne Truitt: Perception and Reflection,” at the Hirshhorn Museum (Photo: Lee Stalsworth) I have been a fan of sculptor Anne Truitt’s writing since I read her book Daybook many years ago. First published in 1982, Daybook is Truitt’s personal journal while working at Yaddo, and her insights into the squirrely nature of […]

Robert Irwin, Part 2

If you take the cubist idea and really press it…what you have is what I was now being forced to deal with…In other words, the marriage of figure and ground—which is how they always term the cubist achievement—of necessity leads to the marriage between painting and environment; essentially they are the same thing, just taking […]

Robert Irwin at the MFA

Robert Irwin is doing a two-night gig at the MFA in Boston. Last night was the first installment of Irwin’s rapid-fire, wisdom-spewing, wait, wait, I can’t write all of this down fast enough, boundary-breaking delivery. With his baseball cap firmly on his head (which, he advised us coyly, was to protect his eyes from direct […]

Seeking Some Silence

Damien Hirst with his diamond-encrusted skull. Photograph: HO/Reuters Jonathan Jones writes for the UK-based Guardian, and more often than not I find safe harbor in his point of view. He’s not a complexifier or a critic caught in the po-mo net of obfuscation (my exhaustion with that gamey approach to art is showing, isn’t it?) […]

Read Me My Mirandas

Thank you Regina Hackett at Another Bouncing Ball for highlighting the latest from quirky dry-humored phenom Miranda July. Her films (Me and You and Everyone We Know) and writing (No One Belongs Here More Than You) dance me into a conceptual space that is reminiscent of Yoko Ono’s installation art in its smooth side swipe […]