Renzo Piano’s California Academy of Sciences in San Francisco has all the makings of a destination building. Think of this as the Bilbao of the science museum world. Legends about its remarkable genesis are already circulating: One we heard was that when Piano visited the existing structure in Golden Gate Park (a building I remember […]
Architecture
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Hope, and More
We’ve all gone to San Francisco for a few days, and for a good cause: My life long friend Kevin Simmers–our history began when we were 11 years old–is getting married to his partner of 22 years, Ed Carrigan. The photograph above was taken through one of the new De Young Museum’s many perforated screens. […]
Moving in the Landscape as One of Its Details
This was a weekend with a disruptive sense of time. It made me think of an essay by the poet Wendell Berry, “An Entrance to the Woods” in which he describes making a trip to a forest in Kentucky. He leaves work, drives hard over the interstate highways for over an hour, then finally arrives […]
Lessons in Tenacity
The World’s Columbian Exposition, 1893 This morning I excerpted from an article in the Chicago Tribune about Daniel Burnham on my Slow Painting blog. For those of you who have read The Devil in the White City by Erik Larson, you will recognize his name. Burnham was the architect and visionary behind the magical Chicago […]
Ara Pacis, Richard Meier and Minding the Gap
Richard Meier’s Ara Pacis Museum in Rome was controversial from its inception. The museum was built to house just one artifact, the Ara Pacis, a finely carved sacrificial altar built in 13AD to commemorate the victories of Emperor Augustus in Spain and Gaul. Adding to its historical significance to Romans, the altar was fully restored […]
Compassionless White
More from David Batchelor’s Chromophobia: In the chapter titled “Whitescapes”, Batchelor describes going to a party at the home of an art collector in London. His description of that experience is hauntingly familiar to me, but one that I have never thought through in such explicit detail: The house looked ordinary enough from the outside: […]
Monumental Grandiosity
Clyfford Still So maybe this is my week to air art world frustrations. My latest complaint: The newly unveiled Clyfford Still Museum in Denver. An excerpt about the proposed museum from the Denver Post can be read on Slow Painting. The building concept sounds soulful, more of an invitation to solitude than its brassy, sassy […]
More on Modernism and its Discontents
Modernism, Part 2 Here are a few more selections from the Mia Fineman/Peter Gay book discussion from Slate. (For the full conversation between Fineman and Gay, start at the beginning on Slate.) Mia Fineman: Though I don’t think Pop Art brought about the end of Modernism by democratizing art, I do agree that Modernism suffered […]
Privacy
This morning I posted an excerpt on Slow Painting from a New York Times article, Yours for the Peeping. Penelope Green reports on the new trend of glass apartment buildings with little or no concern for privacy, from pedestrians on the street to the residents in the spaces themselves. I have been thinking about her […]
The Rag and Bone Shop
In the spirit of “everything is autobiographical,” I found a conversation (in the Telegraph) with architect Frank Gehry and filmmaker Sydney Pollack that is compelling in its honesty and reassuring in a “misery loves company” sort of way. When asked if things got easier as they got older, here are their responses: SP: It doesn’t […]