“Untitled (Rorschach),” a 1999 work by Sigmar Polke.(Photo: Alistair Overruck/Estateof Sigmar Polke/Artists Rights Society) The current show of Sigmar Polke’s work at MOMA, Alibis: Sigmar Polke 1963-2010, is staggeringly expansive. With 260 works of art filling 10 galleries plus the atrium, the curators wisely moved most of the accompanying text into a 30 page handout […]
Art History/Theory
Into the Back Pages
Early morning in Small Point Maine I just returned from a long weekend in Small Point, Maine. This quiet outcropping surrounded by the Atlantic on three sides has been my favorite migratory site for many years. Annual visits here are like the kitchen wall where penciled lines mark a child’s growth. This landscape is my […]
This Flashing Present
A subset of Rhapsody, by Jennifer Bartlett I usually don’t write about a book until I have finished it. Or at least done the gleaning. But my enthusiasm won’t be bridled. Although I am only 100 pages into The Flamethrowers by Rachel Kushner, I can’t NOT talk about this book. Every page is delicious. The […]
We Are Pale Ramon
Ghostly demarcations of the land under cloud cover, taken over the US midsection during a recent cross country flight. My very clever and well read niece Rebecca Ricks sent me a link to an essay published in Frieze Magazine last year. Titled Of Ourselves and of Our Origins: Subjects of Art, it is an edited […]
On My Own Terms
Mark Rothko, at the Philips Gallery Jonathan Jones, that no nonsense, speak your truth art critic for the Guardian, reported on his visit to the new Tanks interactive art space at the Tate Modern: Six psychics sit at plain wooden booths as part of Fawcett’s contribution to the new Undercurrent series of live events at […]
Leaving the Path at Any Moment
John Cage and collaborator/partner Merce Cunningham Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists by Kay Larson has been my mainstay for the last several weeks. Every page has now been marked and annotated, leafed through many times. This is an unforgettable, inspiring, deeply moving book about a towering […]
Honing in on Johns, Smee Style
The Dutch Wives, by Jasper Johns (on view at Harvard’s Sackler Museum) Sebastian Smee. How did Boston get so lucky? Having him at the Globe has made all the difference for me. No wonder my friends down under are still bemoaning his loss (Smee wrote for The Australian in Sydney before relocating here.) His recent […]
Nozkowski: Working from a Feeling
Thomas Nozkowski, Untitled (7-107, LA III), 1998, oil on linen on panel, 22×28” (Photo: BOMB Magazine) Thomas Nozkowski is an artist I follow and have been interested in for some time. But I began diggging deeper into his work and his point of view after reading the review of his show at Senior & Shopmaker […]
Bruce Conner: Authentic Tomfoolery
Bruce Conner The archetype of The Fool has been written about at length. The permutations are many, but the most common variance for most of us is from Shakespeare’s plays. Fools are never what they seem. And they are certainly not “fools.” Art history has its fools as well, even (and especially) in recent years. […]
Leaving Nothing to Chance: Rothko at the Whitechapel Gallery
Mark Rothko’s Light Red Over Black © 1998 Kate Rothko Whitechapel Gallery has played a memorable role in the London visual arts scene since its founding in 1901. It was one of the first publicly-funded galleries and host to Picasso‘s Guernica in 1938 (as part of an exhibit organized by artist Roland Penrose in protest […]