Julius Shulman’s iconic archictectural photographs capture California’s new sense of architecture, space and lifestyle. ______ Returning to my coverage of the Pacific Standard Time art exhibit/extravaganza in Los Angeles: LACMA’s sprawling multi-building expanse is a stop I make every time I am in LA. Their flagship PST show, California Design, 1930–1965: “Living in a Modern […]
Art History/Theory
Pacific Standard Time: Light and Space
Untitled, by Douglas Wheeler, 1969. Acrylic on canvas with neon tubing ______ More on Pacific Standard Time, currently on view in Los Angeles: The Southern California artists who congregated together into a loosely defined group called Light and Space in the late 1960s have gone on to be some of my favorites. The list is […]
Pacific Standard Time: Begin the Rewrite
Ocean Park No. 67, 1973, Richard Diebenkorn. The Doris and Donald Fisher Collection courtesy of The Estate of Richard Diebenkorn Ocean Park No. 26, 1970, Richard Diebenkorn. Nerman Family Collection courtesy of The Estate of Richard Diebenkorn Pacific Standard Time, the sprawling art exposition that includes encampments at 60 different venues in the Los Angeles […]
The Other Coast, Reconsidered
Buster, by Billy Al Bengston (Courtesy of the artist) When I was coming of age as an artist in California in the late 60s and early 70s, the culture of contemporary art was centered unquestionably in New York City. Art Forum, Art in America et al gave small and occasional nods to what was happening […]
Infinite Riches in a Little Room
De Kooning’s “Weekend at Mr. and Mrs. Krisher,” lithograph, 1970 _______________ More on De Kooning, Part 2 Another issue that emerged from spending the day at the De Kooning exhibit is a theme that I have written about here before: epic vs lyric; working large vs working small; the proclivity to grandiosity in contrast to […]
Seguinland
Marin Island, Small Point Maine, by John Marin One of my first memories of moving to the East Coast from a childhood in California was discovering Maine. My first 10 years as an expatriated West Coaster were spent in Manhattan, but almost every summer I made the trek Down East on my way to a […]
Effort-Filled Effortlessness
Petit Interieur a la table de Marbre Ronde Sebastian Smee of the Boston Globe has been doing a series all summer called Frame by Frame where he focuses his attention on one particular work of art. These pieces are brief but insightful, a serialized reminder that Boston is full of masterpieces hanging in permanent collections. […]
With an Eye Always in Reserve
Man Ray, Observatory Time, The Lovers Peabody Essex Museum’s current show, Man Ray and Lee Miller, Partners in Surrealism, is part art exhibit and part psychological portrait of a relationship between two artists. While they were only together as a couple (in a very loosely defined sense) for a few years—from 1929 to 1932—the ramifications […]
Warburg and the Bruins
Aby Warburg, unconventional and still controversial art historian all these years later, made a trip to the Black Mesa in Arizona in 1896 and encountered the Hopi Indians. An expert on Florentine Renaissance art, he had his aha moment in realizing how similar the highly ritualized Hopi dances were to the elaborate court festivals held […]
Keeping it Fresh
Boston Globe art critic Sebastian Smee was written a fresh and engaging review of the Fluxus show currently at the Hood Museum at Dartmouth. Generally known in the US through the work of artists and musicians like George Maciunas, John Cage and La Monte Young, the Fluxus movement capitalized on the high jinx, random access, […]