Colson Whitehead‘s contribution to the New York Times Book Review’s “How To” issue on Sunday is titled How to Write. You know, a topic that fits neatly into 11 easy-to-follow rules. Well, sort of. It’s a funny piece. Famously smart and clever, Whitehead’s novels include The Intuitionist (which I loved) and most recently, Zone One. […]
Art Making
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Setting Aside the Familiar
Composer John Adams Much of what I do each day feels difficult to describe. For those of us who spend a lot of time alone in the studio, it is often hard to know what’s really going on. I am grateful when I find others who can language some of these emotions and experiences. And […]
Drawing Lines
In my studio (Photo by Martine Bisagni) The difference between being a complainer (who wants that reputation?) and being a precise observer can sometimes be a fine line. I may be grazing close to the edge of grousing by sharing excerpts from two articles by art critic Karen Wright of The Independent. But they are […]
Portalized
At the RISD exhibit (Photo by Jan Baker) It’s an it. It is a simple insight but a huge one, that an entity exists outside of yourself that is your inspiration. Some call it the artist’s gift, some call it creativity. But the idea that it is separate from you—that it can be addressed and […]
What the World Can Do Without
Another passage from Christian Wiman* that speaks to poetry writing but could apply to all the rest of us who are inveterate makers: Reality doesn’t need us. A poet knows this, and then, in the midst of a poem, when reality streams through the words that would hold it, doesn’t quite. W.S. Di Pietro, probably […]
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Scully Nuggets
Two from Sean Scully: The power of a painting has to come from the inside out, not the outside in. It’s not just an image; it’s an image with a body, and that body has to contain its spirit. A painting, really, is made by its reason for being there. What’s behind it decides everything. […]
Developed Intuition
The Twins, Castor and Pollux, by Dorothea Rockburne I think the reason I paint, or that I do whatever I do, is to deal with (I don’t think of it as unconscious) subliminal knowledge. And I do think that one has knowledge about things that haven’t occured yet, and I try to work for those […]
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Priming
Close up view of a painting by Yayoi Kusama on view in Chelsea. This is a gentle reminder for me of the rhythm of the hand moving, the ritual of a mark being made A preoccupying theme for me lately has been the compelling (and at times, compulsive) nature of art making as well as […]
Slow Gestations
Images of emergence: Hall’s Pond in January The gestation of a project or a body of work—how it starts, forms and then comes into existence—is mysterious and unpredictable. Some jump into their fullness quickly, in a flash. My poet friend Nicole Long describes this process as egg-like: A whole thing that emerges out of us […]
Energizing the Space
Detail view of David’s Death of Marat. Brussels, Royal Museums of Fine Arts. The background was intentionally unfinished. In the preface to a book of poetry by Dylan Thomas, the poet said he was going to publish this group of poems so he would have to quit futzing with them. Once in print, he would […]