Preservation Update

Satellite view of the Spiral Jetty For those following the effort to preserve the Spiral Jetty, here is the latest from Tyler Green’s blog, Modern Art Notes: The National Trust for Historic Preservation is out with a statement on the Spiral Jetty situation. From NTHP prez Richard Moe: “The National Trust for Historic Preservation believes […]

El Anatsui, in New York

I saw my first installation by Ghanain-born sculptor El Anatsui at the De Young Museum in San Francisco. I came back from that trip and posted about that exquisite object–part textile, part tactile sculpture, made of bottle caps and wire. Since then he was featured at the Venice Biennale and is now getting well deserved […]

Juicing the Corpse and Making it Dance

I found a terrific article about painting and its complex relationship with the contemporary art scene. It is so provocative, and it reflects many of my own beliefs about the “state of the art” (so to speak) of painting that I posted most of it on my Slow Painting blog. I don’t want to come […]

Authenticity and its Discontents

In responding to my previous post about theory and art making, Elatia Harris left a comment that is so full of potent issues I felt it needed to be brought forward, into the headlights. She touches on issues that many visual artists (including myself) mull over, struggle with and voice frustration about. I don’t necessarily […]

More on Modernism and its Discontents

Modernism, Part 2 Here are a few more selections from the Mia Fineman/Peter Gay book discussion from Slate. (For the full conversation between Fineman and Gay, start at the beginning on Slate.) Mia Fineman: Though I don’t think Pop Art brought about the end of Modernism by democratizing art, I do agree that Modernism suffered […]

The Lure of Heresy and Other Modernisms

Mia Fineman, art critic at Slate, employs a more dynamic approach to the slightly tired category of the book review. Her approach is to write an email to the author and then post the exchange. This can go back and forth several times, and the conversation that results is more multifaceted and provocative than one […]