Edmund de Waal, detail, Princeton Museum Continuing with themes inspired by Edmund de Waal in his latest book, The White Road… In a profile of de Waal that appeared in the New York Times, Sam Anderson describes de Waal as an evangelist of touch. “Thinking is through the hands as well as the head,” de […]
Art
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When a Stack of Bowls is a Chord
Edmund de Waal installation currently on view at the Princeton Museum With the publication and international success of his family memoir, The Hare With Amber Eyes, Edmund de Waal became a literary sensation before many knew he was, first and foremost, an artist whose specialty is ceramics. Notoriety tends to spills over, and soon his […]
The Art/Business Connection
My partner Dave having a moment with Richard Diebenkorn at the Cantor Center, Stanford University When asked for advice about how to navigate the visual art space, I increasingly say that for most of us, it is just DIY. The old atelier model of “I make the art and someone else sells it” is gone […]
Art and Politics
Jamuna, pure pigment on canvas, by Natvar Bhavsar (Image: Asianart.com) Political language is a tongue, one that is optimally designed to infiltrate both thinking and feeling at the same time. Sarah Hurwitz, speechwriter for Michelle Obama, is a master at getting words to work at all those levels at the same time. Oratory brilliance takes me straight […]
- Art Making
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Solitude and Surprise. Gotta Have Both.
A solitary figure walking through an empty landscape. That feels like a good description of what this month has felt like to me. (My daughter Kellin, walking the beach at Duxbury a few years ago) Years of solitude had taught him that, in one’s memory, all days tend to be the same, but that there […]
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Wingate, Inside and Out
George Wingate is a life long friend and an artist whose explorations have always been engagingly 360. His work has a staggering range. Most recently he has been mastering the weekend only installation: transforming empty storefronts, exhibit spaces or even the homes of friends. This past weekend George expanded that pop up skill set to […]
Making Mystery a Solid Object
Writing about the Agnes Martin exhibit that began at the Tate, moved to Düsseldorf, now at LACMA and (finally!) coming east to the Guggenheim in October, Hilton Als touches on some of my favorite aspects of Martin’s work. From The Heroic Art of Agnes Martin, in the New York Review of Books: On solitude and art making: “We have been […]
In the Fragments
Fresco fragment from Piero della Francesca’s Legend of the True Cross, portraying Constantine’s victory over Maxentius in 312. In Arezzo, Italy, Cappella Bacci. I took hundreds of photographs while I was away, but the one I keep returning to is this fragment. A segment from one of the more damaged frescos by Piero della Francesca […]
Irwin at the Hirschhorn Museum
Robert Irwin’s “Untitled” (1969), at the Hirshhorn Museum in Washington DC. (Photo: Drew Angerer for The New York Times, Robert Irwin / Artists Rights Society (ARS), New York) Robert Irwin holds a particular place in the California annals of contemporary art, and he holds a particular place for me personally. He figured larger than life […]
Creativity and Meditation
The cosmos suggested in the etchings on an abalone shell In writing about inspiration and meditation, musician and performer Amanda Palmer described the conundrum posed by those two concepts: The songwriter in me struggles like mad when meditating. The rules of my conditioned art-mind say that nothing must stand in the way of a developing […]