Sol LeWitt’s passing yesterday has had me reviewing with gratitude the delight I have experienced with his handiwork. He lived outside of categorization, moving effortlessly as his desires morphed from Conceptualism to Minimalism to his own brand of glorious and retinally rich expressionism. His collaborative wall murals always felt fresh, immediate and irresistibly upbeat. My […]
Artist wisdom
Explorations in Landscape and Art
As I continue to explore how Aboriginal art expresses a deep and complex relationship to the land, I am also interested in how the art/land relationship shows up in our Western cultural tradition. Ross Bleckner, typically described as an American abstract painter, takes a lot of his imagery from his experience with nature. From an […]
The Path and the Destination
Bill Viola, artist extraordinare and seeker, was asked to select objects from the Asia Society’s collection a few years ago for a show called The Creative Eye. Here he responds to the 17th century Gandavyuha Manuscript from Nepal: . . If you engage in travel you will arrive. -Ibn Arabi (1165-1240) When the need to […]
Subliminal Knowledge
The Twins, Castor and Pollux Dorothea Rockburne I think the reason I paint, or that I do whatever I do, is to deal with (I don’t think of it as unconscious) subliminal knowledge. And I do think that one has knowledge about things that haven’t occured yet, and I try to work for those kinds […]
Metonymy
I traveled to the center of Australia with the hope that I could step deeper into understanding why I have such a powerful attraction to aboriginal art. For 15 years I have been studying these works, often only in reproduction, and my attachment has only deepened with time. While in Alice Springs, I must have […]
Sensibility vs Power
In The Accidental Masterpiece, Michael Kimmelman relates a conversation he once had with the photographer Cartier-Bresson. While viewing a self-portrait by Bonnard, Cartier-Bresson said, “You know, Picasso didn’t like Bonnard and I can imagine why, because Picasso had no tenderness. It is only a very flat explanation to say that Bonnard is looking in a […]
Women and Painting
In the words of Marlene Dumas: I paint because I am a woman. (It’s a logical necessity.) If painting is female and insanity is a female malady, then all women painters are mad and all male painters are women. I paint because I am an artificial blonde woman. (Brunettes have no excuse.) If all good […]
The Innocence of Trees
From Agnes Martin: My interest is in experience that is wordless and silent, and in the fact that this experience can be expressed for me in artwork which is also wordless and silent. Martin also talks about how she first began using the grid in her work: When I first made a grid I happened […]
The Artist Statement: Once More, with Feeling
The comment below was posted by Elatia Harris, wisewoman and friend, in response to my earlier posting about my discomfort with artist statements. I found her point of view worthy of a front row seat. “Words and I are not friends,” Georgia O’Keeffe famously remarked. And every artist who struggles with writing an artist’s statement […]