I’ll be away for a week. I’m heading to my old ‘hood, the San Francisco Bay Area, for a solo exhibition at the Gallery at the Geary. My last show there was in 2005, so I am excited to be presenting a whole new body of work. Choosing the show: Curator Kevin Simmers in my […]
Current viewings
El Anatsui, in New York
I saw my first installation by Ghanain-born sculptor El Anatsui at the De Young Museum in San Francisco. I came back from that trip and posted about that exquisite object–part textile, part tactile sculpture, made of bottle caps and wire. Since then he was featured at the Venice Biennale and is now getting well deserved […]
Leon Ferrari
Leon Ferrari (images courtesy of Cecelia de Torres Gallery) The Museum of Modern Art catalog for January 2008 arrived in the mail and I was stunned by the cover. It features a recent purchase, a drawing by Argentinian artist Leon Ferrari. I don’t know Ferrari’s work well but his name caught my eye when I […]
Visual Cornucopia
Moroccan calligraphy, 19th century (courtesy of BibliOdyssey) I know many of you are regular readers of 3 Quarks Daily and the fascinating posts by Elatia Harris. But for anyone who may be a newcomer here, run, don’t walk your way to her latest foray into the extraordinary blog, BibliOdyssey. In her words: “One of my […]
Skid Marks: Inflection or Innuendo
In Wallace Stevens’ oft-quoted but still provocative (IMHO) poem, Thirteen Ways of Looking at a Blackbird, he captures a simple dichotomy that has served as a divining rod for most of my creative life: I do not know which to prefer, The beauty of inflections Or the beauty of innuendoes, The blackbird whistling Or just […]
In Good Company
It isn’t often you get to be in a show with other artists who are both friends and talented makers. I am having that chance now with Riki Moss and Keith Maddy. The artist reception on Friday night was pure joy, and the people that came seemed particularly warm and receptive. Maybe they sensed the […]
Diebenkorn in New Mexico
If you are a Diebenkorn fan (as I am,) you will be dazzled by the new catalog for a show currently on view at the Harwood Museum of Art in Taos, New Mexico (though September 9, 2007.) The show features work from Diebenkorn’s two and a half year residence in Albuquerque in the early 1950s, […]
Venice Redux
The New York Times’ website has a clip from Michael Kimmelman who is reporting on the Venice Biennale. He talks about feeling bored by the work at first, but the longer time he spent looking the more he liked what he saw. I was moved by his account of the Gonzalez-Torres installation: Mr. Storr [commissioner […]
Natalie Alper at Seraphin Gallery
(Image courtesy of Seraphin Gallery) Natalie Alper’s show at the Seraphin Gallery in Philadelphia was scrumptous. Big, lush strokes of metalic pigmented acrylic ribbon across a subtle underlayer of graphite marked canvas. And as her last painterly gesture, she sets this juicy field back just a bit from us by marking the surface with a […]
Richard Tuttle at Sperone Westwater
I caught the last day of Tuttle’s show at Sperone Westwater in New York last weekend. SW on West 13th Street is an open, multi-roomed white space. It could be daunting for someone whose works are often delicate and small. But Tuttle fills the galleries to the brim with intimately-sized wall pieces whose only similarity […]