How refreshing to find an art “feel good” counter story in the New York Times, especially one that offers pre-coverage of the ever contentious, rhetoric-infested, “I can’t wait to hate it” Whitney Biennial. This piece made me feel hope, like someone opened a window in a stale, stuffy room with tired furniture and too many […]
Subtlety
Richard Tuttle at Sperone Westwater
I caught the last day of Tuttle’s show at Sperone Westwater in New York last weekend. SW on West 13th Street is an open, multi-roomed white space. It could be daunting for someone whose works are often delicate and small. But Tuttle fills the galleries to the brim with intimately-sized wall pieces whose only similarity […]
Morphic Photography
Ferrofluid with permanent magnets underneath (Image courtesy of Felice Frankel) Here are two provocative examples of morphing developments in photography, especially in the age of digital (and signficantly, nearly cost free and unlimited) options. The first features Felice Frankel, author of Envisioning Science. Frankel has come a long way in bringing meangingful visual imaging into […]
It’s All About the Light
I’m back from Mexico, but I can still feel the intense white light that burnishes the back of your eyes after just a few hours in that unabashed sunlight. Baja California Sur is a glorious combination of two large arc themes, operatic in a visual sort of way. On one hand you are never far […]
Take Me With You, Sigmar
Carol Vogel’s written and video reports (New York Times) on Sigmar Polke’s preparations for the upcoming Biennale have me longing, deeply longing, to see this new body of work, “The Axis of Time.” (One painting from that series is posted on Slow Painting.) Vogel visited him in his Cologne atelier and feasted on a studio […]
Lynn Davis
Many of you know that in addition to writing this blog, I maintain another blog called Slow Painting that filters through websites, publications and blogs for compelling excerpts. Slow Painting is a customized assemblage of art-related news, ideas and concepts as defined by my sensibilities. Every so often a Slow Painting find is so provocative […]
In the Tangents
I have often used the phrase, “somewhere between what is hidden and what is seen” as a way to describe what pulls me in and inspires. So I was enchanted when a young Irish student visiting a show of my work in West County Cork turned to me and said, “I think I know what […]
Landscape and Contemporary Art: Agnes Martin
My work is non-objective like that of the Abstract Expressionists. But I want people, when they look at my painting, to have the same feelings they experience when they look at landscape, so I never protest when they say my work is like landscape. But it’s really about the feeling of beauty and freedom that […]
The Path and the Destination
Bill Viola, artist extraordinare and seeker, was asked to select objects from the Asia Society’s collection a few years ago for a show called The Creative Eye. Here he responds to the 17th century Gandavyuha Manuscript from Nepal: . . If you engage in travel you will arrive. -Ibn Arabi (1165-1240) When the need to […]
Land and Art Down Under
Painting by Dorothy Napangardi Tree trunks, Alice Springs . . . Painting by Johnny Warangkula Todd River bed, Gum tree, Alice Springs . . . Painting by Kathleen Petyarre Simpson Desert, Northern Territory . . It needs to be remembered that Central and Western Desert art works, and the narratives in which they are embedded, […]