One of my art professors had a spiel about how to push a work to its farthest edge by reminding us that a great work of art almost doesn’t work—but it does. It was his way of getting his students to take risks, to push out beyond what feels safe. There’s really no other way […]
Theater
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Stoppard and Friends
Tom Stoppard in Manhattan! Here, there, everywhere. This update on several of his sightings was filed by Terry Teachout on behalf of Gwen Orel. For readers of this blog, it would be the ultimate in redundancy to say that Stoppard is my favorite playwright, bar none. So redundancy be damned. What a guy. Worth the […]
A Moon Misbegotten: Theatre de la Jeune Lune To Close
I am devastated to learn that one of my favorite American theatre companies, Theatre de la Jeune Lune, is being forced to close. The Minneapolis company headed by theatrical visionary Dominique Serrand has been coming to Cambridge to collaborate with the American Rep Theatre for years. Their style is highly physical, visually stunning, with a […]
Feelings and Ideas
Tom Stoppard and Conor McPherson each hold pole positions in their respective areas of expertise—Stoppard is the master of idea-driven theater and McPherson is the feelings first guy. In the production of Shining City currently playing in Boston, McPherson’s characters carve out a reality driven by the way it feels inside rather than some rational, […]
Freedom, History, Loss: Stoppard’s Rock ‘n’ Roll
What is it that Tom Stoppard does that moves me so deeply? Rock ‘n’ Roll was as intoxicating an experience as Coast of Utopia had been the year before. In many ways it is a continuation of many of the same themes, just brought forward 100 years and closer to home. (The play takes place […]
Mabou Mines
Yet another reason to be in New York sometime in the next week, more specifically Miller’s Launch, a forgotten corner of Staten Island. Mabou Mines, a theatre company that has been thrilling my sensibilities for 30 years, has done it again and stepped way outside the expected. This time it is a new production from […]
That’s Just Pinter Being Pinter
Paul Benedict and Max Wright I saw an excellent production of Harold Pinter’s 1975 play, No Man’s Land, at American Repertory Theatre in Cambridge last night. While I respect Pinter’s larger than life influence on the theatre communities of both the US and the UK, he is not one of my favorite playwrights. My actor […]
Certainty vs Complexity
I can’t move on, not just yet…Still thinking about Tom Stoppard’s trilogy, Coast of Utopia, and about Isaiah Berlin’s insightful Russian Thinkers, the book that launched Stoppard’s interest in writing about this historical period in the first place. Here is another quote from Aileen Kelly’s excellent introduction to Berlin’s book, a quote that is so […]
Stoppard Marathons, Theatrical Extremes and Other Joys
So much good commentary is available online about Tom Stoppard’s trilogy, Coast of Utopia, so I won’t spend time here rehashing the larger context of the play and its subject matter. Instead I’ll be blatantly bloggish and personal and just say that I was in an altered state through the entire 12 hour marathon. (Still […]