Death and the Powers uses new performance techniques and an animated set, including a musical chandelier with dozens of Teflon strings that can be played by the performers. (Jill Steinberg) What is it about live theater that is so compelling? Don’t answer that question, just indulge me while I ask it over and over again. […]
Theater
Bucky for the Ages
R. Buckminster Fuller Content-rich theater is hard to do. Tom Stoppard is probably our most exemplary contemporary playwright of that genre. In so many of his plays, ideas and intellectual constructs take on theatrical forms, functioning almost as characters in the story. The Stoppard experience is deeply layered and yet neither didactic nor instructional. Which […]
Pointing
I’m short on words these day. Sometimes language goes flat for me when I need to hibernate or retreat from everyone and everything. Sometimes it happens when the center of gravity in my life becomes extremely image-based. Sometimes it is a sign of a nascent percolation deep inside, that odd sense that something is showing […]
A Compass Demagnitized
The Blue Flower, A.R.T. Tom Stoppard’s last two plays, Coast of Utopia (a 3 play trilogy) and Rock ‘n’ Roll, explore the historical periods preceding significant events as a way of contextualizing and unpacking those outcomes. To make sense of the 1917 Russian Revolution, Stoppard placed his 9 hour Utopia trilogy in the years between […]
Disappearing, Reappearing
A Disappearing Number (Photo: Tristram Kenton) National Theater Live brings stage productions in London to cinema settings around the world, and the most recent was a broadcast of A Disappearing Number, a production by Simon McBurney’s Complicite Theatre Company. This latest play offers up a meditation on a variety of themes but is primarily structured […]
Othello on the Common
Seth Gilliam plays Othello Theater alert for Bostonians and anyone who might be visiting town through August 15: Do whatever you need to do to your summer schedule to see the spectacular (and free!) production of Othello on the Boston Common. We are regulars and have seen most of the Commonwealth Shakespeare productions over the […]
David Hare on Art, Matisse and Meaning
Plays that deal with visual art and art making can be problematic. I remember seeing La Bohème as a child and already being cognizant that the bohemian lifestyle portrayed in the opera was mythic, a well used trope that only people like my father believed was real. (He tried to discourage me from pursuing my […]
As American as Baseball and Theater
I have written on this blog about several of the productions from Diane Paulus’ first season as artistic director at the American Repertory Theater in Cambridge: The tantalizingly beguiling Sleep No More from UK-based theater company Punchdrunk; the stunningly brilliant Gatz, an unforgettable verbatim performance of F. Scott Fitzgerald’s masterpiece, The Great Gatsby; and Paradise […]
What We Can Be, and What We Are: Odets’ Paradise Lost
Paradise Lost, at the A.R.T. (Photo: A.R.T.) Watching the spectacle of a family coming unraveled has a long history. Greek dramas specialize in showing us the multi-generational demise of families, from the cursed House of Thebes in the Oedipus trilogy to the murderous implosion of the House of Atreus in “The Oresteia”. A particular strain […]
Gatz
Jim Fletcher as Jimmy Gatz, AKA Jay Gatsby of West Egg, Long Island Try telling your friends there is this 7 hour, two-part play at the Loeb Theater in Cambridge that consists of nothing but the text from F. Scott Fitzgerald’s masterpiece The Great Gatsby. Then try telling them it is one of the most […]