How refreshing to find an art “feel good” counter story in the New York Times, especially one that offers pre-coverage of the ever contentious, rhetoric-infested, “I can’t wait to hate it” Whitney Biennial. This piece made me feel hope, like someone opened a window in a stale, stuffy room with tired furniture and too many […]
Wisdom
Testing the Murky and the Unclear
Crown Point Press, a major force in the Bay Area art scene for 40 years, has produced prints with and for some of the greats including Richard Diebenkorn, John Cage, Richard Tuttle, Wayne Thiebaud and Pat Steir. In addition to a gallery and bookstore in its well appointed space on Hawthorne Street in San Francisco, […]
Slow Goes Global (Slowly)
The lead article in today’s New York Times, House & Home section, above the fold: The Slow Life Picks up Speed, by Penelope Green. Of course I love reading that the concept of Slow is viral and infectious in the best sense, extending beyond just food, cities and design into other areas of our lives. […]
Living in the Layers
The Layers I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides, from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see […]
Jason Moran and The Bandwagon: Milestone
Tarus Mateen, Nasheet Waits, Jason Moran (Bandwagon) In the “Earth stood still for a minute. Seriously dude, it did” category: My son Bryce came with me on a 2 hour pilgrimage from Boston to Hanover, New Hampshire–Dartmouth College–on Thursday night to hear and see Jason Moran perform with The Bandwagon (Tarus Mateen on bass, Nasheet […]
To the End of the Earth and Back Without Sound
I’m still sitting in the fragrance of the excerpted passages from the Francis Clines article that I posted earlier this week. This visual image for example has a powerful persistence for me: For his opening classes at Harvard, Heaney usually prescribes selections from East European poets, stark verse that is hardly the language of bogus […]
Timorous or Bold
I found a passage from a poem by Seamus Heaney, quite by chance. It stopped me in my tracks: ”The way we are living, timorous or bold, will have been our life.” Just coming out of a long period of living life beneath the surface of things, those words cut through to the bone. So […]
The Object of My Affection
Here’s a midwinter diversion for you. From Slow Muse friend and frequent commenter, Elatia Harris: 3 Quarks Daily is known as one of the blogosphere’s more cerebral haunts, and it occurred to me that habitues of 3QDistan might know a great deal about being broken-hearted by a poem, a song, a building, or most of […]
Brown
I’m a huge fan of Stephin Merritt, inspiration behind the Magnetic Fields and a slew of other collaborations. He has that Elliott Smith-like proclivity to combine unexpected lyrics with a wide range of hummable music. (I like this description: “bitterly smart lyricism and a musical-survey style.”) The results don’t feel forced or manipulative, just delightfully […]
Navigating the Imagination
Joseph Cornell: Navigating the Imagination by Lynda Roscoe Hartigan, was reviewed by Leah Hager Cohen in the New York Times on Sunday. (I have an excerpt from this excellent review on my filter blog, Slow Painting, if you didn’t catch it.) Hartigan’s book is the catalog for the show that just closed at the San […]