When is it too much text? (Photo: bodyartforms.com) As long as I have been making art—and eight years of writing steadily about art-related issues here on Slow Muse—I still struggle with how words and the visual come together. One part of me is convinced that the great visual experiences cannot be harnessed into words. That’s […]
Writing
- Art Making
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Always Enchanted
Tiruchchirappalli, India This year we celebrated Easter with friends from Athens. While a whole lamb turned slowly on a spit, the table was loaded up with fresh bread, olives from the family vineyards back home, and copious bowls of salads and vegetables. It was sumptuous and unforgettable, rendered with the mastery that comes with having […]
- Art Making
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Legacying a Life
Conflagration, by Gordon Waters (Photo: Art collection of the University of Western Sydney) After years of experience and a commitment to abstraction I am able to “forget myself” with greater ease. The pictures have begun to determine me instead of the other way around. In the process, a more cohesive body of work has evolved. […]
- Art Making
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The Basic Rule: There are No Rules
Colson Whitehead‘s contribution to the New York Times Book Review’s “How To” issue on Sunday is titled How to Write. You know, a topic that fits neatly into 11 easy-to-follow rules. Well, sort of. It’s a funny piece. Famously smart and clever, Whitehead’s novels include The Intuitionist (which I loved) and most recently, Zone One. […]
Wimanian Wisdom
Christian Wiman I wasn’t familiar with the poet Christian Wiman before watching his interview with Bill Moyers. But his tone in that conversation—the comfort with the “don’t know” mind, a willingness to drop into the interior landscape in spite of many prevailing cultural trends that favor distance and detachment, a fearlessness in facing up to […]
- Art Making
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Where it Works
A shelf of visual stimulants in my studio The artistic value of hermiting and the need for isolation has been an ongoing theme on this blog, so of course I was intrigued reading Tony Perrottet‘s essay in the Sunday New York Times Book Review about writers, isolation—self-inflicted and otherwise—and the discipline needed to work. (Curiously, […]
Choosing Earth
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It’s the artist’s responsibility to balance mystical communication and the labor of creation. I left […]
- Aesthetics
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Resting on Perception
Saul Bellow Art and meaning. Big topic, and one that just keeps morphing and moving through our relationship with art making in whatever form that takes. I’ve written on that complex topic a lot here, if only peripherally given its depth, but my interest in it is tireless. Leon Wieseltier’s New York Times review of […]
Wired For Sound
Kathleen Kirk’s post, Persistence and Patience, is a thoughtful description of how she ended up, after several career explorations, being a poet. In her graceful telling, she describes her many forays into other creative fields—music, art, theater, teaching—but none of them evoked the necessary persistence and patience in her that is needed to keep the […]
A Certain Body Heat
He Lit a Fire with Icicles For W.G. Sebald, 1944-2001 This was the work of St. Sebolt, one of his miracles: he lit a fire with icicles. He struck them like a steel to flint, did St. Sebolt. It makes sense only at a certain body heat. How cold he had to get to learn […]