First floor view of the new Linde Family Wing for Contemporary Art at the MFA, Boston I’m of several minds when it comes to the oft-argued place that museums should/could/would claim in the cultural milieu of contemporary life. Beyond the obvious tensions—high brow vs low brow (in a world that is increasingly no brow), elitism […]
The Fate of Ideas
Last summer The Atlantic featured “14 Biggest Ideas of the Year.” My response—as was almost everyone else’s I spoke to about that article—started out excited but quickly deflated. The “ideas” were more platitudinously ordinary than inspiring: “Wall Street: Same as it Ever Was”, or the number one choice, “The Rise of the Middle Class — […]
Cultural Dreamings
Hans Hollein, façade from Strada Novissima, The Presence of the Past, 1980. Biennale of Architecture, Venice. From the show at the Victoria & Albert Museum Reviewing a new show of architecture at the Victoria & Albert museum, Postmodernism: Style and Subversion, Guardian writer Hari Kunzru describes a movement that has its roots in the theoretical […]
A Silky Attention Brought to Bear
The sand along the shore in Small Point, Maine: The water’s silky attention brought to bear I’ve posted a few Jane Hirshfield poems on this blog previously (here and here) and continue to explore her body of work. In the meantime I have been savoring her volume of essays about poetry, Nine Gates: Entering the […]
- Aesthetics
- ...
Guarding the Gate
From a film about Anselm Kiefer, “Over Your Cities Grass Will Grow” I have referenced my favorite description of artists here before, but it bears repeating: Artists are continually torn between the urgent need to communicate, and the still more urgent need not to be found. —D. W. Winnicott As intimately as I know that […]
The Artist Curator Advantage
Two of the most compelling shows I have seen over the last year were curated by artists. The first was Robert Gober‘s inspirational show of the work of Charles Burchfield (which was first exhibited at the Hammer Museum before coming to the Whitney). It was a revelation, completely transforming my view of this easily overlooked […]
Physical Graffiti in Philadelphia
Tintinya, mixed media on Stonehenge, 22 x 52″—one of three paintings by Deborah Barlow included in “Physical Graffiti” Heading down to Philadelphia for the opening of Physical Graffiti: 13 artists transform time and materials. Curated by artist and friend Pam Farrell, the show brings together a number of artists I admire. Show mates include: Jose […]
Roasted Chestnuts and Persimmons
From the Guardian series, by Budd Hopkins It Was Like This: You Were Happy It was like this: you were happy, then you were sad, then happy again, then not. It went on. You were innocent or you were guilty. Actions were taken, or not. At times you spoke, at other times you were silent. […]
The Gershwins’ Porgy and Bess
Adaptation and interpretation. It’s an issue that visual artists only deal with occasionally. But this is a topic that looms large in musical performances and in theater. And what is given license at any given time to be adapted and “updated” is often not clear cut or logical. The keepers of our collective theatrical wisdom—from […]
- Art/Spiritual
- ...
Being Present
Patsy Rodenburg Patsy Rodenburg, acting coach extraordinare and author of a number of books including one of my favorites, The Second Circle, has a six minute video posted on YouTube. This short piece could be viewed daily, a quick reminder of how to constellate your day. Her message is simple: Show up. Be present. Be […]