Keeping Ithaka Always in Mind

John Berger described drawing as something done “not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination.” For so many of us who write, compose, paint or draw, Berger’s sentence brings to mind familiar experiences: Starting with something we see that we want to make comprehensible […]

Somewhere Between What is Hidden and What is Seen: A New Pell Lucy Exhibit

Pell Lucy, the 21 artist collaborative created three months ago, has a new exhibit up on Artsy today: Somewhere Between What is Hidden and What is Seen. The show will be available for viewing through December 3. This exhibit continues exploration into the Pell Lucy credo that form “possesses an intelligence of its own–an intelligence […]

The Infinity of Aesthetics

“Public opinion doesn’t usually move in staccato bursts,” writes Bill McKibben. “Culture usually shifts gradually—painfully gradually for those of us who want change. But, occasionally, attitudes swing quite suddenly, as if pressure had been silently building up behind a dam until it burst.” Consider for a moment how many build ups are bursting on this […]

PELL LUCY

This was the final paragraph in my last essay, Art and Mycelia: Artists, like mycelium, have been operating in a world where they are mostly hidden, undervalued and disempowered.  Like the concept of the flipped classroom—the movement to change institutionalized pedagogy by switching what happens inside the classroom and out—maybe it is time to flip […]

Myceliumania

No matter the circumstances of a life–whether being lived indoors under quarantine or in that effortlessly privileged expansiveness of our world before it closed—the mind is on. It is relentlessly weaving a slew of meanings, patterns, stories. Some days it feels slow and heavy, overwhelmed by the hyperobjectival complexity of considering a common future, one […]