Up close and personal on a painting, seen from an angled view Bulldog behavior, getting a hold of something and holding on especially if you’re not sure exactly what it is—worrying it, wiggling it, maybe throwing it up in the air and chasing it, not letting it get away but not pinning it down either. […]
“Untitled (Rorschach),” a 1999 work by Sigmar Polke.(Photo: Alistair Overruck/Estateof Sigmar Polke/Artists Rights Society) The current show of Sigmar Polke’s work at MOMA, Alibis: Sigmar Polke 1963-2010, is staggeringly expansive. With 260 works of art filling 10 galleries plus the atrium, the curators wisely moved most of the accompanying text into a 30 page handout […]
George Saunders (Photo: The Guardian) Is it just my bias or is it truly hard to find an artist who is a gifted creator and also wise? Another personal bias (since we’re divulging these proclivities): It is my experience that wisdom comes from those who have figured out how to get out beyond the distracting […]
Small art featured in Brett Baker’s online show of small works: Blades, 6 x 7 inches, egg tempera on calfskin parchment stretched on panel, by Altoon Sultan. (This painting hangs in my house and pleases me deeply every day.) Artist Lori Ellison posted the following essay on Facebook in response to notice of Brett Baker’s […]
The Dutch Wives, by Jasper Johns (on view at Harvard’s Sackler Museum) Sebastian Smee. How did Boston get so lucky? Having him at the Globe has made all the difference for me. No wonder my friends down under are still bemoaning his loss (Smee wrote for The Australian in Sydney before relocating here.) His recent […]
[Note: Recently I went in search of a particular post on Slow Muse from several years ago. In the process I found so many others that dealt with topics that are still, all these years later, speaking to me. So I have decided to start a recycling series. From time to time I’ll share content […]
Alexander Trauner, Street scene in Paris, 1930 (Photo: Trauner Estate) The Surrealists were fascinated by chance, by the spontaneous event that might unlock the unconscious. They wandered the streets and let those chance encounters play out. André Breton‘s novel Nadja is based on just such a random encounter, and the character Nadja quickly comes to […]
Golasule, on display at the Bannister Gallery, Rhode Island College Having just come off a very acknowledging opening and show, I have been thinking a great deal about that last part of the arc of art making: connecting with others. Like many of my artist friends, I spend most of my time alone in my […]
Crossfield 1 by Jack Tworkov (Collection of Ms. Beatrice Perry) This has been a summer of enjoying the art reviews of Sebastian Smee in the Boston Globe. (Before coming to the Globe, Smee has wrote for The Australian, the Daily Telegraph, The Guardian, The Times, The Financial Times, The Independent on Sunday, The Art Newspaper […]
I’m basking in Saltzian wisdom. That would be Saltzism as in Jerry Saltz. Yesterday’s posting got me back in the groove, so here’s an excerpt from his “you’re speaking for me, man” book, Seeing Out Loud, Selected Essays: 2003-2007. (An updated version is set for release this September so hold on a few months if […]