Solnitessence

Vascular bundle of a fern rhizome (Image from a fascinating website, Urbagram which addresses a set of interlinked concepts, models, speculations, probings, essays and artefacts based on urban systems.) I first encountered Rebecca Solnit quite by accident. About ten years ago I was making my usual pilgrimage to the lusciously overstuffed and highly iconic City […]

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Being Seen

Close up of the surface of a painting from the Orbilinia series I am honored—and really humbled—by a terrific post written about me and my work by Sloan Nota. We have been friends for about 20 years. While our orientation to many aspects of art and art making are very different, we share a mutual […]

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The Basic Rule: There are No Rules

Colson Whitehead‘s contribution to the New York Times Book Review’s “How To” issue on Sunday is titled How to Write. You know, a topic that fits neatly into 11 easy-to-follow rules. Well, sort of. It’s a funny piece. Famously smart and clever, Whitehead’s novels include The Intuitionist (which I loved) and most recently, Zone One. […]

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Wimanian Wisdom, Part 2

Whether Utah (like this image) or Wiman’s West Texas, the desert can be a crucible for poets and pietists This is a continuation of the theme from my previous post…Here are a few more passages from Ambition and Survival, Becoming a Poet by Christian Wiman. His insights into creating—poetry and painting share so many aspects […]

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The Micchelli Litmus Test

William Powhida, “A Guide to the Market Oligopoly System” (Photo courtesy of Felix Salmon) The artisphere has been awash these last few weeks with opinions about art fairs, the brazen commercialization of fine art, changes in powerbrokering, and what’s hot. These topics are perennials that come and go like the cold virus that takes up […]

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