In my studio (Photo by Martine Bisagni) The difference between being a complainer (who wants that reputation?) and being a precise observer can sometimes be a fine line. I may be grazing close to the edge of grousing by sharing excerpts from two articles by art critic Karen Wright of The Independent. But they are […]
Art
Portalized
At the RISD exhibit (Photo by Jan Baker) It’s an it. It is a simple insight but a huge one, that an entity exists outside of yourself that is your inspiration. Some call it the artist’s gift, some call it creativity. But the idea that it is separate from you—that it can be addressed and […]
Weil and Hesse
Simone Weil Eva Hesse The writer Simone Weil died in 1943 at the age of 34. In spite of her short life, her legacy is a rich one, spanning a variety of métiers including philosophy, Christianity, theology, social justice, mysticism. And even though her life’s work was from her point of view of a god-centered […]
Rhizome Redux
Revisiting the past: “Tuffesse,” 20 x 50″, from a body of work I painted about the same time as this original post This post first appeared here in April 2007. In looking back through that period of time I found these quotes from Gilles Deleuze and Felix Guattari still relevant and useful. A Thousand Plateaus […]
Wimanian Wisdom, Part 2
Whether Utah (like this image) or Wiman’s West Texas, the desert can be a crucible for poets and pietists This is a continuation of the theme from my previous post…Here are a few more passages from Ambition and Survival, Becoming a Poet by Christian Wiman. His insights into creating—poetry and painting share so many aspects […]
Honing in on Johns, Smee Style
The Dutch Wives, by Jasper Johns (on view at Harvard’s Sackler Museum) Sebastian Smee. How did Boston get so lucky? Having him at the Globe has made all the difference for me. No wonder my friends down under are still bemoaning his loss (Smee wrote for The Australian in Sydney before relocating here.) His recent […]
- Art Making
- ...
Scully Nuggets
Two from Sean Scully: The power of a painting has to come from the inside out, not the outside in. It’s not just an image; it’s an image with a body, and that body has to contain its spirit. A painting, really, is made by its reason for being there. What’s behind it decides everything. […]
Developed Intuition
The Twins, Castor and Pollux, by Dorothea Rockburne I think the reason I paint, or that I do whatever I do, is to deal with (I don’t think of it as unconscious) subliminal knowledge. And I do think that one has knowledge about things that haven’t occured yet, and I try to work for those […]
- Art Making
- ...
Priming
Close up view of a painting by Yayoi Kusama on view in Chelsea. This is a gentle reminder for me of the rhythm of the hand moving, the ritual of a mark being made A preoccupying theme for me lately has been the compelling (and at times, compulsive) nature of art making as well as […]
Wheat and Chaff
The unstoppable nature of art making…from a recent installation in Chelsea Adam Davidson‘s piece in the Sunday Times magazine, How the Art Market Thrives on Inequality, explores that rarefied world of art auctions, blue chip galleries, U.H.N.W.I’s (Ultra High Net Worth Individuals) and sky high prices. In a sentence: “The art market, in other words, […]