Images of emergence: Hall’s Pond in January The gestation of a project or a body of work—how it starts, forms and then comes into existence—is mysterious and unpredictable. Some jump into their fullness quickly, in a flash. My poet friend Nicole Long describes this process as egg-like: A whole thing that emerges out of us […]
Art
Virtuosity
Painting at Lascaux After writing Sunday’s post I kept being nagged by this additional passage from Denis Dutton‘s New York Times op ed piece: One trait of the ancestral personality persists in our aesthetic cravings: the pleasure we take in admiring skilled performances. From Lascaux to the Louvre to Carnegie Hall — where now and […]
- Aesthetics
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Sagacity
Thomas Nozkowski, Untitled 7-95, 1997, oil on linen on panel, 16×20”. (Image courtesy of Max Protetch Gallery) My two major sage sources over the last few months have been Philip Guston and Thomas Nozkowski. Both artists are recognized for being extremely intelligent and cerebral; yet the power of their work is visceral and immediate. For […]
- Aesthetics
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Letter to a Young Artist
Thomas Nozkowski, Untitled (7-72), 1995, Oil on linen on panel, 40.6 x 50.8 cm, Max Protecht Collection, © Thomas Nozkowski / Courtesy PaceWildenstein, New York. Some people have moderation built in, like a personality module fully loaded from birth. Those are the lucky souls who can sit in front of a bowl of chocolate covered […]
Nozkowski: Working from a Feeling
Thomas Nozkowski, Untitled (7-107, LA III), 1998, oil on linen on panel, 22×28” (Photo: BOMB Magazine) Thomas Nozkowski is an artist I follow and have been interested in for some time. But I began diggging deeper into his work and his point of view after reading the review of his show at Senior & Shopmaker […]
- Aesthetics
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A Stop Between Uncertainties
Fragment of “Gareska”, part of a recent painting series Most of us know that feeling of rubberbanding: the rapidity with which you can move from loving what you are doing to finding it completely unacceptable. The writer Anne Lamott (who has written in depth about writing itself in books like Bird by Bird) advises her […]
Elmer Schooley: The Brush is the Least of My Weapons
Hot Country, by Elmer Schooley I was introduced to the work of Elmer Schooley (1916-2007) through my friend Colleen Burke. Colleen has a legendary nose for great art, and she came to know Elmer (known to his friends as “Skinny”) after becoming a big fan of his work. We took a trip together to Santa […]
- Aesthetics
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Breaking it Down
Peter Plagens and Jerry Saltz (Photo: Art Forum) I’m not that worried about people in general liking my painting (de gustibus, what makes horse races, etc.) because I’m more or less used to their not, generally speaking. My abstract paintings are, I think, too craggy or disjointed or garish (although I have gone through a […]
Rapt with Satisfied Attention
“Pale Pair (for Malevich)”, hand dyed wool on linen, by Altoon Sultan (Photo: Altoon Sultan) In recent years I’ve begun to think of all my various endeavors — painting, textiles, photography, blogging — as part of a whole artistic life, broader and more ordinary than my New York art-world life. I want to make art […]
Making, Matter and Unity
“Surfaces seduce and entities evolve: It is exquisite getting lost in the mysterious pageant of the making.” (Close up of a recent piece) I spend a lot of time alone. But being isolated for most of the day doesn’t mean the mind stops chattering. It chatters constantly, but the dialogue is either internal (between entities […]