Harrows and Harvests

Cover of Gillian Welch’s last recording, The Harrow and the Harvest Life has rhythms and frequencies. Lots of them. And as I get older I am increasingly sensitized to the need to pay attention to what those are. Time to consider biodynamic agriculture? I’d say we need to consider biodynamic living. Plowing through to a […]

Show Highlights: In and Around Boston

A few personal highlights from shows in and near Boston: Ursula von Rydingsvard, Ocean Floor, 1996, cedar, graphite, and intestines (Photo courtesy of the Artist and Galerie Lelong. Photograph by Andy Ryan) Ursula von Rydingsvard Andy Goldsworthy Kysa Johnson deCordova Museum Lincoln MA From the museum’s intro to Ursula von Rydingsvard: Ursula von Rydingsvard works […]

Unchained

Many of you have undoubtedly heard about the Chain Letter Show. The idea was a robust one—using the existing network of artists, create an international, artist-curated, pop up event at several locations around the world all at the same time. Ten artists were asked, and then they asked ten more, who then asked ten more. […]

Random Redux

Paris, 1970 Photo by Elliott Erwitt Maybe it happens to you like this: unexpected events and encounters often come in multiples. It’s as if random events are actually traveling through our lives in a wad. How many times has someone come to mind who I haven’t seen in years and then they suddenly appear at […]

Assessing the State of Visual Culture

The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art by Don Thompson, published in 2008, is one of the most evenhanded descriptions of the flamboyant, unpredictable, arcane—and at times, utterly exasperating—world of contemporary art. Thompson teaches marketing and economics and, refreshingly, doesn’t write from the point of view of someone who has been […]

Blank is Blank

Jerry Saltz in front of a piece by Takashi Murakami The last few months have been a period of burrowing down deep for me, of incubation and isolation. But now my show is up in Provincetown and a new body of work has emerged, I am back up on the surface again and getting re-acclimatized. […]