Life magazine’s portrait of the Abstract Expressionist artists known as ‘The Irascibles,’ 1951. Front row: Theodore Stamos, Jimmy Ernst, Barnett Newman, James Brooks, and Mark Rothko; middle row: Richard Pousette-Dart, William Baziotes, Jackson Pollock, Clyfford Still, Robert Motherwell, and Bradley Walker Tomlin; back row: Willem de Kooning, Adolph Gottlieb, Ad Reinhardt, and Hedda Sterne. (Photo: […]
Art
Winter Light Parsed (Or Not)
Winter light in Amory Park, Brookline MA James Elkins is a tireless advocate for seeing—not just looking, but seeing. A professor at the Art Institute of Chicago, Elkins writes books about art that anyone, artist or otherwise, will find compelling. His books (there are nearly 20) range from How to Use Your Eyes, Pictures and […]
Pointing
I’m short on words these day. Sometimes language goes flat for me when I need to hibernate or retreat from everyone and everything. Sometimes it happens when the center of gravity in my life becomes extremely image-based. Sometimes it is a sign of a nascent percolation deep inside, that odd sense that something is showing […]
Painting Well
“Rag and bone shop” table surface in my studio The New York Times Book Review last week had a simple headline: “Why Criticism Matters”. The editors set the stage by describing our current age as one where opinions are “offered instantly, effusively and in increasingly strident tones”—by anyone, anytime. So in that context it is […]
- Aesthetics
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Finding Round
Days begin and end in the dead of night. They are not shaped long, in the manner of things which lead to ends — arrow, road, a person’s life on earth. They are shaped round, in the manner of things eternal and stable — sun, world, God. –Jean Giono Western culture is grounded in linearity—of […]
Our Eyes and Ourselves
New work, “Snap 1” and “Snap 2” (diptych), in my studio before being shipped out this week Three critics at the New York Times were given the assignment of naming their favorite paintings in New York Museums. The lists can be found on the New York Times site, but as critic Roberta Smith freely confesses, […]
Mark Bradford: Silent Strength
Mississippi Gottam, by Mark Bradford I’ve been a fan of Mark Bradford for a while (and most recently was completely knocked out by the Bradford in the permanent collection at the Hammer Museum in Los Angeles), but the current show at the Boston ICA offered me new insights into his work. Because there are so […]
Stella, Smee and Subjectivism
Chocorua IV, 1966. Fluorescent alkyd and epoxy paints on canvas. Hood Museum of Art, Dartmouth College © 2010 Frank Stella/ Artists Rights Socety (ARS), New York. Photo by Steven Sloman. In a recent review of the Frank Stella show, Irregular Polygons at the Hood Museum at Dartmouth College, Boston Globe art critic Sebastian Smee ended […]
In His Own Words: Anselm Kiefer
Installation view of Anselm Kiefer, Gagosian Gallery Anselm Kiefer’s show at Gagosian in New York—big, ambitious, devastatingly bleak and yet subtly redemptive—brought Kiefer to New York. (A more in depth response to the show is posted here.) In early November he appeared at the 92nd Street Y to speak with the curator Sir Norman Rosenthal. […]
Desire is a Craft
“Kama”, a painting that was just recently sold Crispin Sartwell’s small book, Six Names of Beauty, is a personal meditation on a theme that continues to compel and evade comprehension. In that sense it is a literary journey that is refreshingly nonlinear, more rhizomatic than arboreal. Although Sartwell is a devotee of Arthur Danto, his […]