Robert Irwin, Part 2

If you take the cubist idea and really press it…what you have is what I was now being forced to deal with…In other words, the marriage of figure and ground—which is how they always term the cubist achievement—of necessity leads to the marriage between painting and environment; essentially they are the same thing, just taking […]

Robert Irwin at the MFA

Robert Irwin is doing a two-night gig at the MFA in Boston. Last night was the first installment of Irwin’s rapid-fire, wisdom-spewing, wait, wait, I can’t write all of this down fast enough, boundary-breaking delivery. With his baseball cap firmly on his head (which, he advised us coyly, was to protect his eyes from direct […]

Seeking Some Silence

Damien Hirst with his diamond-encrusted skull. Photograph: HO/Reuters Jonathan Jones writes for the UK-based Guardian, and more often than not I find safe harbor in his point of view. He’s not a complexifier or a critic caught in the po-mo net of obfuscation (my exhaustion with that gamey approach to art is showing, isn’t it?) […]

Read Me My Mirandas

Thank you Regina Hackett at Another Bouncing Ball for highlighting the latest from quirky dry-humored phenom Miranda July. Her films (Me and You and Everyone We Know) and writing (No One Belongs Here More Than You) dance me into a conceptual space that is reminiscent of Yoko Ono’s installation art in its smooth side swipe […]

Not Giving Over

Hindu altar, Kanchipuram India, 2008 Blue Arabesque, by Patricia Hampl, is a book-long meditation and memoir that starts with her deep and sudden connection to a painting by Matisse hanging in the Chicago Art Institute. Writing not as an artist but as a thoughtful wisdom seeker, Hampl describes a conversation she has with a 60 […]

Follow the Bouncing Ball

A heads up for anyone interested in getting an overview of the state of arts journalism: Regina Hackett has put together a good list on her blog, Another Bouncing Ball, In the fast-morphing world of art criticism, I found this posting helpful. Here’s an excerpt: The Brookyn Rail does not pay its contributors. Living on […]

Brucing Into Something Better

The BHQF, in Bushwick A small article by Roberta Smith from the New York Times shed some light on the ongoing and ever morphing state of fine arts education. She begins her piece with the now famous quote from Barnett Newman—“Aesthetics is for artists what ornithology is for birds.” And given where things have gone […]

Tuttle Therapy

Richard Tuttle, artist and wisdom worker From time to time I have observed how protracted, focused work in the studio can leave me feeling a particular kind of tightness. It could be described as a slow motion contraction that has moved me away from that elemental sense of expansion and playfulness that should always be […]