Detail from a work in process: Learning how to know my own terrain Terry Theise‘s book, Reading Between the Wines (first introduced here), offers so many redolent parallels between winemaking and painting. And during a season when the land is in full expression, the analogies are particularly timely and apt. Consider this response from one […]
Brice MArden
Embracing the Ephemeral
Still in tact: The view of the Pacific from UCSC’s Porter College (AKA to some of us as College Five) “Material Ephemera” at UC Santa Cruz Another view Long time friend Alicia Falsetto at the artist reception on Saturday Things, people, ideas—they operate with a certain kind of circularity. That coming round again has becomes […]
Brice, What’s Not to Love?
Installation view: Brice Marden at Matthew Marks Gallery Currently on view in New York: Brice Marden at Matthew Marks Gallery. The show includes large works and drawings, with a smaller exhibit of older pieces next door. The range of these bodies of work—the gestural and transparent fluidity of the later work in contrast to the […]
- Aesthetics
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Dingy-Friendly
“Cold Mountain Studies 10” (1988-90) by Bruce Marden Having just gone through a stack of recent art periodicals—Modern Painter, Art on Paper, Art Papers, Art Forum—I can categorically say that the number of times I felt connected to (compelled by? curious about? impressed with?) the art being written about or advertised is at a lifetime […]
Tang Dynasty Wisdom
Cold Mountain 3, by Brice Marden Here’s a thoughtful and provoking passage from one of my favorite blogs, Joe Felso: Ruminations. He references Han-shan, the same poet who inspired Brice Marden’s Cold Mountain series of paintings, who feels similar in spirit to my earlier posting on Master Linji, also from the Tang Dynasty: I wonder […]
Pondering Marden’s Nebraska
Marden cuts the cord that still bound an artist like Jasper Johns to the literary underpinnings of nineteenth-century symbolism, without simultaneously destroying art’s ability to evoke natural forms. He jettisons story, myth, and illusion, and with them representation, composition, and spatial depth. What we are left with is paint, canvas, scale, shape, and brush stroke—but […]