In his essay “Light and Space and Darkness: Taking Painting Full Circle in the Wireless World” (published in Darren Waterston: Representing the Invisible) David Pagel had me at hello. He’s a stylist of the finest art writing order, and he brings the inchoate beauty of Waterson’s work as close to language as I can imagine […]
painting
- Aesthetics
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A Beyond of Color
Rainer Maria Rilke More on the theme of poets and artists: Good friend Sally Reed steered me to a slender volume, Letters on Cézanne by the poet Rainer Maria Rilke. These letters were written mostly to his wife Clara while he was living in Paris in 1907, a time when he was spellbound by Cézanne’s […]
Chelsea Highlights
A few more highlights of Chelsea art viewing from New York City last week: At Sikkema Jenkins, Leonardo Drew’s exquisite wood constructs were spectacular: Photo courtesy of Sikkema Jenkins A few selected views: *** And at Ameringer | McEnery | Yohe Gallery, Oliver Arms paintings knocked me out. Here’s a florid (but satisfying) description from […]
- Aesthetics
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One More Dance: The 2010 Whitney Biennial
Jeffrey Inaba’s installation warms the cold cement interior of the Whitney Museum lower level It is a ritual I have witnessed for over twenty years (and one I have participated in with variations in intensity): The Whitney Biennial Grouse. The cacophony of anger, outrage and “how could they?” that erupts around this show every two […]
Kenneth Noland (1924-2010)
Kenneth Noland passed away in early January. Although this is several weeks after the fact, my response to the Roberta Smith article in the Sunday Times has led to a more contemplative approach to the strange journey of painting that I have observed during my many years as an artist and art lover. Mark Dagley […]
Do Something Else Next
Adam, Eve, by Philip Taafe (Taafe is one of several undervalued painters mentioned in Roberta Smith’s Sunday Times piece) Roberta Smith secured the premier position in the Sunday Times Arts section, above the fold and in the center. The visual arts rarely show up in the top slot these days. Her article, Post-Minimal to the […]
Keeping it Experimental. And Fun.
(Photo: Horace Ové) It has been several years since Rudy Giuliani catapulted English/African artist Chris Ofili into this country’s art adversarial conversation by trying to have Ofili’s work taken out of public view. It was the elephant dung on the Madonna painting. And of course the magazine images of female genitilia flying about like delicate […]
Seeing and Looking
Bridget Riley Bridget Riley describes her mother thus: “She was always pointing out colours: in the sea; the sparkle of dew: changes of colour when the dew was brushed away. If she arranged anything on the table like a bowl of fruit […] she would point out the colours. ‘Look it’s almost got a blue […]
Cracking the Nut
Ert, by Tomma Abts, 2003. 48cm x 38cm. Boros Collection, Berlin Timing can be a bitch. One of the most poignant examples for me is the 2008 publication, Seven Days in the Art World by Sarah Thornton. The “sociologist of culture” (self-titled perhaps?) spent five years assembling her book about the red hot, way cool, […]
Turner Prize Goes Wright
Richard Wright (Photograph: Linda Nylind) The Turner Prize has no equivalent in the United States. This annual award to a U.K.-based visual artist is like awarding just one Oscar for “Best Artist in All the Land”. The build up, the anticipation, the dissenters, the enthusiasts—it is a yearly cycle that I observe with interest from […]