The Darting Subtlety and Persistent Slowness of the Painter’s Eye

Sean Scully, “Wall of Light Beach” (2001). Oil on canvas. 40”× 50”. Private collection. Courtesy the Metropolitan Museum of Art In Robert Hughes’ The Mona Lisa Curse, there is a thoughtful exchange between Hughes and painter Sean Scully. Their brief conversation touches on many of the distinctions I have been writing about here over the […]