A Distant Mirror: Coriolanus on the Common

Coriolanus, on the Boston Common (Photo: Tamir Kalifa for the Boston Globe) How invigorating to revisit something you thought you knew (and might have dismissed as “been there, done that”) and find it utterly compelling. That was my response after seeing the Commonwealth Shakespeare Company’s production of Coriolanus last night. Not one of my favorite […]

Loving Schubert, in Any Form

Three Pianos, currently playing at the American Repertory Theater in Cambridge, is another successful production in line with the theatrical proclivities of artistic director Diane Paulus—theatrical mastery, audience engagement, crisp production values, meaningful content (and context,) and the delivery of an evening out that is both fun and informatively rich. Paulus has demonstrated a deft […]

A Season Inside

Death and the Powers uses new performance techniques and an animated set, including a musical chandelier with dozens of Teflon strings that can be played by the performers. (Jill Steinberg) What is it about live theater that is so compelling? Don’t answer that question, just indulge me while I ask it over and over again. […]

Bucky for the Ages

R. Buckminster Fuller Content-rich theater is hard to do. Tom Stoppard is probably our most exemplary contemporary playwright of that genre. In so many of his plays, ideas and intellectual constructs take on theatrical forms, functioning almost as characters in the story. The Stoppard experience is deeply layered and yet neither didactic nor instructional. Which […]

Pointing

I’m short on words these day. Sometimes language goes flat for me when I need to hibernate or retreat from everyone and everything. Sometimes it happens when the center of gravity in my life becomes extremely image-based. Sometimes it is a sign of a nascent percolation deep inside, that odd sense that something is showing […]

A Compass Demagnitized

The Blue Flower, A.R.T. Tom Stoppard’s last two plays, Coast of Utopia (a 3 play trilogy) and Rock ‘n’ Roll, explore the historical periods preceding significant events as a way of contextualizing and unpacking those outcomes. To make sense of the 1917 Russian Revolution, Stoppard placed his 9 hour Utopia trilogy in the years between […]

As American as Baseball and Theater

I have written on this blog about several of the productions from Diane Paulus’ first season as artistic director at the American Repertory Theater in Cambridge: The tantalizingly beguiling Sleep No More from UK-based theater company Punchdrunk; the stunningly brilliant Gatz, an unforgettable verbatim performance of F. Scott Fitzgerald’s masterpiece, The Great Gatsby; and Paradise […]